Gil Bernal, who died Sunday at the age of 80, was one of the great unsung heroes of the L.A. music scene. Born in Watts, he grew up with the likes of Charles Mingus, Buddy Collette and Big Jay McNeely. Before he was 20, Bernal began playing with Lionel Hampton and he went on to play with Quincy Jones among many others. He took a detour from jazz and played on many of The Coasters' hits, including "Youngblood" and "Smoky Joe's Café." He also had a singing career and was nominated for an Academy Award for "The Eyes of Love" from the 1967 film, "Banning." In his later years he was recruited by Ry Cooder to play on the Buena VIsta Social Club sessions and on Cooder's "Chavez Ravine." I asked Ry for a comment via e-mail and he graciously responded:
He played the tenor like it was a wind instrument, not a dentist drill. And these days we have to ask, is swing still with us, or was it a state-of-mind thing, like full drape suits? Gil was a swinging, finger-popping cat from Watts. He had the same music teachers as Charles Mingus and Don Tosti. He was with Lionel Hampton, who also featured a Nisei Japanese trombone player. Very golden-era Los Angeles. I tried to get him down to Cuba, but he didn't have a passport. They would have dug him the most...
Here's Bernal playing tenor behind another L.A. legend, Lalo Guerrero, on a track from "Chavez Ravine":